exquise design comprises a multi-disciplinary design agency, whose creative solutions encompass a wide range of services, from object and furniture production to website or print development, together with slott, a unique place representing both artists and designers, whose works it features in solo shows or collective exhibitions, and slottlab, an incubator of ideas and projects working in conjunction with the other two entities.

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  • Paola Bjäringer

    Slott @ Grand Palais

    art paris art fair 2013

    In March 2013, Slott revealed its newest limited edition design pieces and photography at the occasion of Art Paris art fair on the Artdesign platform at Grand Palais in Paris.

    > art paris art fair 2013

  • make a wish

    Slott christmas market

    december 3rd to 9th, 2012
    opening hours: noon to 8pm
    kids corner, temporary shops, music…
    MAKE A WISH @ SlottLAB!

    SlottLAB is happy to invite you to our week-long christmas market “MAKE A WISH”! Come discover our design objects, exceptional jewelry, books and monographs, designers’ clothes, ateliers for kids, live concerts & more surprises!

    > make a wish

  • paris design week

    Slott opens its new LAB!

    september 10th to 16th, 2012

    SlottLAB the unmissable new spot in Paris for design-art is honored to invite you to discover its 300sqm space on rue de Turbigo. For this grand occasion will be shown the entire collection of Slott Gallery (including works by matali crasset, Arik Levy, Mathieu Lehanneur), as well as new exclusive pieces not to be missed! Happy hours, professional get-togethers, live performances.

    Djs Sets Happy Hours :
    Teki Latex / The Town aka Kazey & Karve / Mr Maqs
    (schedule of live performances to be announced)

    > paris design week

  • outline / rat king

    slott gallery is happy to announce

    2 brand new pieces

    outline, by matali crasset
    rat king, by pupsam

    for any inquiries please contact:
    stephanie@exquisedesign.com
    +33 (0) 1 44 83 00 78
    +33 (0) 6 62 77 44 69

    > outline

    > rat king

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  • slott

    the spot for work in progress

    wide open to the world of creation, slott (the word slott means castle in swedish) is the culmination of years of efforts by its franco-swedish founder paola bjäringer, who has sought out talent all over the world. these experiences sparked the desire to create a cross-disciplinary, decompartmentalised place, conceived as both a residency and exhibition space for artists as well as designers. slott’s first home in the 10th arrondissement of paris* opened its doors to the public in 2010 with préliminaires, an exhibition bringing together works by the designers matali crasset, arik levy, mathieu lehanneur and florence jaffrain. as 2011 began, slott extended its reach. this unprecedented place, which had first seen the light of day at a singular space in paris, could not be contained within its walls, branching out to other, deftly chosen locations to continue its work in the identification of talent, the commissioning of designs and the production of

    > slott

    unique objects. slottlab and exquise design leverage wide-ranging expertise in research and production and, more generally, in all activities involved in the promotion of designers, whether emerging or already established, and of their works. (…)

    * an original creation by architect joseph caspari, in collaboration with marc-herbert möhlmann and donatien de villanova, interior architects. this place like no other located at 12, rue du château landon, 75010 paris comprised a gallery, an apartment and an atelier on the courtyard side as well as a window facing the street.

    obs! exquise design, slott and slottlab are structures whose personnel are able to communicate with the public and clients in either french or english, in all the areas of expertise described.

  • préliminaires

    design at the threshold of love

    as an extension of a project on the theme of love, slott and exquise design have invited four designers to play out their fantasies, giving shape and meaning, breathing life into their conceptions of preliminaries. they have approached this subject from different and complementary viewpoints that together offer a panorama of creation like no other seen before. arik levy unveils his work on the spoken and the unspoken of intimate relations with his series of installations entitled confessions, that includes, among other elements, an examination of the iconography of sexuality alongside a kind of modern home confessional. as the theme of the exhibition required that contributions be solicited from both male and female designers in equal measure, it is fascinating to observe the ways in which, by sharing their visions, they complete and engage each other. matali crasset and florence jaffrain carry us away to underwater paradises with their respective works aequorea and belly love, creating soft and sensual shapes that run up against mathieu lehanneur’s torrid yet petrified flames in his the power of love.

    > préliminaires

    visitors will also be struck by the singular visions of the four designers, each of which offers a completely different approach to objects. with his confession, Arik Levy makes the object a tool for communication, standing in for the fears and concerns we often find it so difficult to voice. straddling the boundaries of design and architecture, matali crasset approaches the object as a space. mathieu lehanneur, working from a more sculptural perspective, raises the object to the heights of allegory (of the couple), at the same time endowing it with a mediating role. last but not least, florence jaffrain tends to make the object an end in itself, by creating a sofa that might almost be perceived as playing the role of the lover, becoming an object of desire. (…)

  • love design

    love design is a project that explores the multifaceted relationship between design and positive feelings such as affection, desire, pleasure and romance, but also jealousy, distance, separation and pain. published by daab, love design the book presents a selection of unusual products, objects, graphics and textiles specifically designed to enhance (or distort) our pleasurable sense of togetherness in every possible (and impossible) way. during the Milan furniture fair 2009, love design the exhibition presents the works of 20 outstanding designers taken from the book.

    > love design

    the selection includes new products and special editions, in categories like fine textile, sound wave jewelry, blushing lighting, erotic tableware, lover’s furniture and more surprising delights. this exhibition questioned the very meaning of the word ‘love’, the beginning and the ending of what binds us together and tears us apart.

  • arik levy, designer

    biography

    “design is an uncontrolled muscle” according to arik levy (born 1963). designer, technician, artist, photographer, filmmaker, levy’s skills are multi-disciplinary and his work can be seen in prestigious galleries and museums worldwide. best known publicly for his furniture design for global companies, installations and limited editions, levy nevertheless feels “the world is about people, not tables and chairs.”

hailing originally from israël and moving to europe in 1988, levy currently works in laris with his 20-strong team of designers and graphic artists forming L design. under the vision of levy and his associate, pippo lionni, the firm also produces brand identities, packaging, signage, exhibition and interior design… his formation was unconventional where surfing and his graphic design studio took up much of his time back home.

    > arik levy

    however, following studies at the art center europe in switzerland where he gained a distinction in industrial design in 1991, levy’s first international success was winning the seiko epson inc. competition, which jettisoned him into the public consciousness as a “thinking” designer. after a stint in japan where levy consolidated his ideas producing products and pieces for exhibitions, the designer returned to europe where he contributed his artistry to another field –contemporary dance and opera by way of set design. the creation of his firm then meant a foray back to his first love, art and industrial design, as well as other branches of his talents. respected for his furniture and light designs on all continents, levy also creates hi-tech clothing lines and accessories for firms in the far east (…)

  • the power of love

    sound sculpture by mathieu lehanneur

    in collaboration with françois brument

    the power of love consists of two separate sets of headphones connected to a fire, thus three elements symbolizing two lovers joined by their love. the object conveys formidable sculptural power… but it remains an object. its representative value serves its purpose. the power of love is a type of lovemaking accessory, a foreplay toy. each of the lovers puts on a set of headphones. in itself this is a token of eroticism for mathieu lehanneur’s generation, all of whom fondly remember the cult scene in the film la boum, where a young man seduces sophie marceau by having her listen to a sentimental ballad on his walkman while everyone else is dancing to a powerful up-tempo rock song. the same principle is used in the power of love: each of the listeners hears the tracks recorded as representing his or her intimate universe. hence the lovers are not in sync and this is very important, as desire is born of difference. it is the glistening fire that continually asserts its presence, imposes its heat and creates the union.

    > the power of love

    the lovers see in it the perfection of their original love that they seek to rediscover and stoke. when two individuals fall in love, they create a new universe together without at the same time losing touch of their own, a sleight of hand whereby 1+1=3. love’s power is rooted in a crossing of boundaries, the creation of a new entity. mathieu represents it as a flame shooting up at the meeting point of two sound tracks that continue to exist separately. this flame calls to mind the burning bush in the bible, God revealing himself to moses. if this burning bush is a theophany, an appearance of God to man, what mathieu offers us may perhaps be termed an “erotophany”: this fire represents the emergence of love between the lovers. we are all fascinated by the very moment of the big bang creating the lovers’ universe: it is a moment of extreme intensity in which the potency of love is compressed before it explodes. (…)

  • matali crasset, designer

    biography

    matali crasset is by training an industrial designer, a graduate of the ateliers-e.n.s.c.i. (workshops – national higher school of industrial design). at the beginning of 2000, after her initial experience with denis santachiara italy and with philippe starck in france, she set up her own studio in paris called matali crasset productions in a renovated former printing firm in the heart of belleville. it is there, with the coming and going of children and neighbours that she dreams up her projects. she considers design to be research, working from an off-centred position allowing to both serve daily routines and trace future scenarios.

    > matali crasset

    with both a knowledgeable and naive view of the world, she questions the obviousness of codes so as to facilitate her breaking these bonds. like her symbolic work, focused on hospitality, quand jim monte à paris (“when jim goes up to paris”), is based on a mere visual and conscious perception which she invents another relation to the everyday space and objects. her proposals are never towards a simple improvement of what already exists but, without rushing things, to develop typologies structured around principles such as modularity, the principle of an interlacing network, etc… (…)

  • contemporary domestic confessional

    contemporary domestic confessional, by arik levy

    this object in two parts, a kind of modern home confessional, is one of the masterpieces shown at the slott gallery in january 2010 during the exhibition préliminaires. by borrowing one of the catholic church’s best communications tools, arik levy in no way aims to commit blasphemy. all religions were created to cement social relationships. confession is neither religious nor anti-religious. it must be considered simply as a social object. arik encourages us to play with social codes, delivering an entirely revisited confessional adapted to the modern home.

    > confession

    he reworks the proportions to create an object with a seating area larger than the traditional version. derision, a feeling of being protected, humility –the effect of the piece changes depending on the circumstances. in addition, this confessional is perfectly modular, offering infinite possibilities for interaction by playing with the orientation and distance between the two parts.

  • les branleuses

    a little lesson in sexology

    the persistent taboo relating to solitary pleasures is insidiously rooted in western language: etymologically, masturbation refers to the notion of prostitution (in greek, mastropeuein means “to pimp or procure”). as for the term “onanism”, although it is colloquially used as a synonym for masturbation, the sin of the biblical figure Onan, after whom it is named, was actually an instance of coitus interruptus. onan was struck down by God because he spilled his seed on the ground rather than impregnate his dead brother’s wife, thus refusing to procreate in his place. the Judeo-christian tradition redirected the moral of this verse to condemn masturbation and, by extension, all forms of sexual pleasure (since lust is counted among the seven deadly sins). with the declining influence of religions in the west, these taboos, while not disappearing entirely, have lost much of their former interdictive strength… but only for men. for women, the sexual revolution has been a mirage in this regard, since their access to pleasure is still conceived as in service to male fulfilment. considerable efforts have been devoted to exploring sexual function in men and unlocking the mysteries of the male libido. the advent of viagra testifies to the phenomenal progress made by science. but no female equivalent exists to this day. not only have the female genitalia been far less well studied, but to add injury to insult, much of the research done until recently tended to deny the importance of the clitoris.

    > les branleuses

    hippocrates, the father of western medicine, referred to this organ as the site of sexual excitation. scientists have thus long known it to be true! but as soon as it was determined that this organ was not essential to reproduction, they quickly lost interest.
    science sought to prove, against all logic, that women could only reach orgasm through coitus: a conceit invented by men to serve their own purposes! It was in this way that the G-spot, a hypothetically erogenous zone deep within the vagina wall, became so popular. without delving into a discussion of whether or not such a zone even exists (the jury is still out), it is still astounding to note that the indisputable existence of the clitoris was passed over in favour of a mere hypothesis! freud went so far as to claim that clitoral stimulation corresponded to an immature stage of sexual development and that in order to be truly mature sexually, a woman had to have vaginal orgasms. these theories would later be disputed by masters and johnson, who found that most women do not experience orgasms directly from intercourse, and that female orgasms require clitoral stimulation, whether external or internal, putting an end to the artificial distinction that had prevailed between vaginal and clitoral orgasms (although this quasi-scientific jargon persists in the collective imagination). we would like to end this brief lesson by pointing out that much still needs to be discovered, and that anatomy is of course not the only key to sexual pleasure.

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